Posted by NLP on February 7, 2013 · Leave a Comment
Mark Cousins: The Interview Alastair Cook: The In-Between Christopher Smail on Tarantino’s Django Unchained Tracey S Rosenberg: Last Will & Testament
Filed under Film, Opinion, Photography, Poetry, Uncategorized · Tagged with Alastair Cook, Alexander Payne, Astrid Henning-Jensen, Éric Rohmer, Boris Barnet, cargo publishing, Carl Radford, Christoph Waltz, cinema, Djibril Diop Mambéty, film, Forough Farrokhzad, Goerge Cukor, Gutter, Herbert Lom, Italo Calvino, Jacques Rivette, Jamie Foxx, John Berger, John Brewer, Joni Sternbach, Katie Cooke, Kenneth More, Kerik Kouklis, Kerry Washington, Kill Bill, Lady Snowblood, Larisa Shepitko, Lauren Bacall, Lav Diaz, Leonardo di Caprio, Louise Brooks, Mai Zetterling, Mania Akhbari, Mark Cousins, Mohamed Ali-Talebi, Mohsen Makhmalbaf, Pulp Fiction, Quentin Tarantino, Quinn Jacobson, Robert Bresson, Roland Barthes, Samuel L Jackson, Slavoj Žižek, Spike Lee, Steven Berkoff, Tilda Swinton, Tracey S Rosenberg, Truffaut, Walter Benjamin
Posted by NLP on April 7, 2012 · Leave a Comment
Delaina Haslam, who recently delighted conceptual poet Kenneth Goldsmith with her piece about him in NLP (his new book, Uncreative Writing, is reviewed here in the TLS), takes on another avant-garde giant, sound poet Jaap Blonk. NLP is delighted to be working with Haslam again: she is an endlessly searching writer, and allows NLP to … Continue reading →
Filed under Art, Opinion, Poetry, Uncategorized · Tagged with cargo publishing, Christian Bok, conceptual poetry, Delaina Haslam, douglas coupland, ewan morrison, Gerry Cambridge, Jaap Blonk, Kenneth Goldsmith, New Formalism, Poetry, sound poetry, The Dark Horse, Walter Benjamin
New Linear Perspectives 