New Linear Perspectives

Twitter Facebook RSS
  • Home
  • Arts
    • (Don’t) Bother
    • An Encounter with the Maestro
    • BLUE HOUSE VOICES: Interviews with four Chengdu painters
    • Chengdu Painters Part II: critical, restless art
    • Dances With Birds: About Legs and Wings
    • Hong Kong Biennial of Art: National Identity
    • iPad Review
    • NLP: Microsessions Review/ August 2011
    • No Fit State Circus: ‘Tabu’
    • Paths to Abstraction
    • Patti Smith in conversation with Geoff Dyer: Intelligence Squared event
    • Pétronille
    • Poetry & Song: Rodger Evans on Jesus, Baby!
    • Studio Studies I: Sarah Sanford
    • The Master Builder
    • The Sydney Biennale 2010
    • Three Israeli Dance shows
  • Film
    • 11’09’’01: an act of cinema
    • Berlusconi gets bitten
    • Blood of a Poet: spectator as spiritualist
    • Blood, Slavery and Folk Tales in Tarantino’s Django Unchained
    • Emotional Literacy: Ingmar Bergman’s Scenes from a Marriage
    • Fixated In A Constant State of Flux: Wong Kar-Wai, Olivier Assayas & Duncan Tucker
    • Gegen die Wand: A search for identity via death, anarchy and love
    • In search of perfection: Terrence Malick’s Days of Heaven
    • Martin Hall: Happy Anniversary
    • Non-native: the Cane Toad, Kevin Ladynski & Mark Lewis
    • Norse Mythology and the B-Movie in ‘Troll Hunter’ (2010)
    • Steve McQueen’s ‘Shame’: Real Sex in the City
    • Stylish Love: Xavier Dolan’s Les Amours Imaginaires
    • We Need to Talk about Kevin
  • Graphic
    • The Keystone: Part I
    • The Keystone: Part II
    • The Keystone: Part III
    • The Keystone: Part IV
  • Interviews
    • Interview: Andrew Mackenzie
    • Interview: Chris Powici
    • Interview: Dave Turbitt
    • Interview: Emma Wesley
    • Interview: Gerry Cambridge
    • Interview: Justine Frischmann
    • Interview: Kenneth Goldsmith
    • Interview: Laura Mate
    • Interview: Marc Dalessio
    • Interview: Mark Cousins
    • Interview: Nicola Moir
    • Interview: Sally Evans
    • Interview: Suri Sumatra
    • Interview: The Silicon Artists
    • Interview: Wil Freeborn
    • Steven Severin on Jean Cocteau
    • The Lost Interview: Les Wilson
  • Photography
    • Alastair Cook: The In-Between
    • Beach
    • Control
    • Farm Signs
    • Hipstamatic Fuelled Ghosts
    • Hong Kong: Transformation
    • Nick Paton’s American Sign Language
    • Scroll: a photo essay
    • Sojourns in the Archive: Photographs of the Atlantic’s Edge
    • Sontag, Barthes, Berger & Benjamin on Robert Capa
    • Urban Alphabet
  • Poetry
    • Alice Willington: Bridesmaid
    • Alice Willington: Carsaig
    • Andrew McCallum: Maggie Mucklebackit
    • Andy Powell: Jazz Standards
    • Anne Rouse: A Calenture
    • Anne Rouse: Man Ironing
    • Chelsea Cargill: Captain America
    • Christopher Barnes: Screens
    • Colin Will: What Shall I Bring You?
    • Crosslight: a micro-anthology of poetry
    • Daisy Behagg: Footbridge Syndrome
    • Danielle Boodoo-Fortuné: The Wild Thing Is Always Near
    • David Groulx: I Have Killed Albatrosses
    • Elizabeth Rimmer: Inhabitation
    • Emily Wolahan: The naked women lie back and repose
    • Frederick Pollack: Studio Bird
    • Geoffrey Heptonstall: A Golden Thread
    • Howie Good: Poe in Love
    • Iain Britton: Events of My Future
    • Jaap Blonk
    • Jack Little: Globes
    • Janette Ayachi: A Medicine of Moments
    • Julie Maclean: Song of a Slave
    • Mandy Haggith: concrete poetry/ photopoems
    • Marion McCready: Where The Dead
    • Michael Kearns: Becoming – Triptych in Reds
    • Michael Pedersen: Hello I am Cambodia
    • Niall Campbell: Thrum
    • Nigel Holt: Ice Yaqoub
    • Olivia McCannon: Difficult Laughter
    • Relance: Franck Villain translated by Raphaël Lambert
    • Richie McCaffrey: Taxidermy
    • Ross Macgregor: The Olive Branch
    • Sammi Gale: Moons
    • Slow Light: Holly Corfield Carr
    • Slow Light: Josephine Corcoran, Grahaeme Barrasford Young, Caitlin Thomas
    • Slow Light: Natasha Underwood
    • Slow Light: Ross Wilson
    • Slow Light: William Wright
    • Stephan Delbos: Pillow talk
    • Stewart Sanderson: Adam & Eve, Whereabouts Unknown
    • Theresa Muñoz: Fire, somewhere
    • Tracey S Rosenberg: Last Will & Testament
    • Writer? Right… Er?
    • Zoe Green: Letters Unsent
  • Travel
    • Instructed Vagrancy
    • Operation Carmargue
    • Out of Fear
    • Searching the Sun: San Francisco
    • Spain in Cold Storage
    • Swim in Berlin: Müggelsee and Obersee
    • The Apollo at Bassae
    • The Spider on the Differential
    • Use What You Want
  • Words
    • Allan Harkness: Animal Talk – Hearing John Berger
    • Allan Massie: The Boy At The Door
    • Andrew F Giles: Re:history – The Borderlands
    • Andrew Losowsky & Ewan Morrison: Telling Tales In Modern Times
    • Andrew McCallum Crawford: Arthur’s Seat
    • Andrew McCallum Crawford: Mac & Wills
    • Andrew McCallum Crawford: Moment of Inertia
    • Andrew McCallum Crawford: One Absorbent Parasite Per Song
    • Andrew McCallum Crawford: Teeth
    • Andrew McCallum Crawford: Yin Eye
    • Andrew McCallum: Saint Andrew
    • Armchair Books
    • Circular Metaphors
    • David McAlpine Cunningham: L’Amour Courtois
    • Ewan Morrison: The Mall Project
    • Geoffrey Heptonstall: Meeting The Poets
    • Géraldine Garcia: Rentrée Littéraire
    • Kathleen Rocksavage: Neophyte
    • Leopoldo María Panero: POE-NERO (Gothic tyrant)
    • Leopoldo María Panero: POE-NERO II (Chinese Whispers)
    • Leopoldo María Panero: POE-NERO III (For His Majesty)
    • Magda Healey, review: Ewan Morrison’s ‘Tales From The Mall’
    • Malcolm Boyd on Michael Kearns
    • Michael Pedersen’s ‘Play With Me’ under review
    • Rodger Evans: Socks & Druids & Rock n’ Roll
    • Touch Me, I’m Rhetoric: Confessions of a Celery Eater
    • Wes Henricksen: The Scorpion
  • Contact / Submissions

  • New Linear Tweets

    • @jpmjustice hi mum 4 years ago
    • @jpmjustice if you gave Ezra Pound a cigar I wld not be able to tell you apart #tashwars http://t.co/aOzYf6jude 4 years ago
    • this is very good, captures the sounds of the book & its language well bbc.co.uk/programmes/b04… #hemingway via @BBCRadio4 4 years ago
    • RT @YorkshireLiff: Whenby (n.) The day after tomorrow. Wensley (n.) The day after whenby. #YorkshireLiff gnbooks.co.uk/p/978095763998… 4 years ago
    • RT @STVEdinburgh: The literary lovers @NeuReekie have something extra-special lined up for you this evening: edinburgh.stv.tv/170854/ http://… 4 years ago
    • Advertisements

The Empathy Machine

Posted by NLP on February 7, 2013 · Leave a Comment 

Mark Cousins: The Interview Alastair Cook: The In-Between Christopher Smail on Tarantino’s Django Unchained Tracey S Rosenberg: Last Will & Testament Advertisements

Filed under Film, Opinion, Photography, Poetry, Uncategorized · Tagged with Alastair Cook, Alexander Payne, Astrid Henning-Jensen, Éric Rohmer, Boris Barnet, cargo publishing, Carl Radford, Christoph Waltz, cinema, Djibril Diop Mambéty, film, Forough Farrokhzad, Goerge Cukor, Gutter, Herbert Lom, Italo Calvino, Jacques Rivette, Jamie Foxx, John Berger, John Brewer, Joni Sternbach, Katie Cooke, Kenneth More, Kerik Kouklis, Kerry Washington, Kill Bill, Lady Snowblood, Larisa Shepitko, Lauren Bacall, Lav Diaz, Leonardo di Caprio, Louise Brooks, Mai Zetterling, Mania Akhbari, Mark Cousins, Mohamed Ali-Talebi, Mohsen Makhmalbaf, Pulp Fiction, Quentin Tarantino, Quinn Jacobson, Robert Bresson, Roland Barthes, Samuel L Jackson, Slavoj Žižek, Spike Lee, Steven Berkoff, Tilda Swinton, Tracey S Rosenberg, Truffaut, Walter Benjamin

  • Other editions

    • THEORY: the last edition
    • Relance April 2014
    • #slowlight
    • Third Anniversary Edition III: Saint
    • Third Anniversary Edition II: Caetera Desunt

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 172 other followers

  • (nlp) imagination

    1960s Alice Willington Alison Watt Allan Harkness Allan Massie Andrew Duke Andrew F. Giles Andrew McCallum Crawford Anne Rouse art Australia blog Books Bookshops cargo publishing China Chinese art Christopher Smail cinema Claudia Massie conceptual poetry Control Daisy Behagg Delaina Haslam Emily Wolahan ewan morrison film fine art Food Geoffrey Heptonstall George Eliot Geraldine Garcia Graffiti Grahaeme Barrasford Young Hong Kong iPad Janette Ayachi John Berger Kathleen Rocksavage Katy Karpfinger Kenneth Goldsmith Letters Unsent Magda Healey Mark Cousins Michael Kearns Michael Pedersen Nicola Moir Painting Panero Paris Pat Neil Patti Smith photography Poetry Pollock Richie McCaffrey Rodger Evans Roland Barthes Ross Macgregor short films short stories short story Slavoj Žižek Spain Sweden The Huffington Post Theresa Muñoz Tilda Swinton Titian Truffaut Walter Benjamin Warhol Wong Kar Wai words Zoe Green

  • Links

    • Alex Massie
    • Andrew Duke
    • Andrew F Giles
    • Association for Scottish Literary Studies
    • Aware Injustice
    • Ayesha Malik
    • Best Scottish Poems – SPL
    • Camilla Watson
    • Chapman
    • Chris Pritchett
    • Claudia Massie
    • GoReborn
    • Gutter magazine
    • Jerry Magazine
    • Leighton Library, Dunblane
    • Michael Pedersen
    • Natalie Muallem
    • Nichol Wheatley
    • Nicola Moir
    • Northwords Now
    • Perfect Circle
    • Sabotage: Reviews of the Ephemeral
    • Scottish Poetry Library
    • Selkirk Cricket Club
    • Steven Severin
    • The Edinburgh Review
    • The Nervous Breakdown
    • Touching From a Distance
    • Vagabond Voices
    • Wee Fictions – Andrew McCallum Crawford
    • Zoe Green

New Linear Perspectives ·

Blog at WordPress.com.

Cancel
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy