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  • New Linear Tweets

    • @jpmjustice hi mum 3 years ago
    • @jpmjustice if you gave Ezra Pound a cigar I wld not be able to tell you apart #tashwars http://t.co/aOzYf6jude 3 years ago
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    • RT @YorkshireLiff: Whenby (n.) The day after tomorrow. Wensley (n.) The day after whenby. #YorkshireLiff gnbooks.co.uk/p/978095763998… 3 years ago
    • RT @STVEdinburgh: The literary lovers @NeuReekie have something extra-special lined up for you this evening: edinburgh.stv.tv/170854/ http://… 3 years ago

The Empathy Machine

Posted by NLP on February 7, 2013 · Leave a Comment 

Mark Cousins: The Interview Alastair Cook: The In-Between Christopher Smail on Tarantino’s Django Unchained Tracey S Rosenberg: Last Will & Testament Advertisements

Filed under Film, Opinion, Photography, Poetry, Uncategorized · Tagged with Alastair Cook, Alexander Payne, Astrid Henning-Jensen, Éric Rohmer, Boris Barnet, cargo publishing, Carl Radford, Christoph Waltz, cinema, Djibril Diop Mambéty, film, Forough Farrokhzad, Goerge Cukor, Gutter, Herbert Lom, Italo Calvino, Jacques Rivette, Jamie Foxx, John Berger, John Brewer, Joni Sternbach, Katie Cooke, Kenneth More, Kerik Kouklis, Kerry Washington, Kill Bill, Lady Snowblood, Larisa Shepitko, Lauren Bacall, Lav Diaz, Leonardo di Caprio, Louise Brooks, Mai Zetterling, Mania Akhbari, Mark Cousins, Mohamed Ali-Talebi, Mohsen Makhmalbaf, Pulp Fiction, Quentin Tarantino, Quinn Jacobson, Robert Bresson, Roland Barthes, Samuel L Jackson, Slavoj Žižek, Spike Lee, Steven Berkoff, Tilda Swinton, Tracey S Rosenberg, Truffaut, Walter Benjamin

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